<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Media-Studies on Marginalia</title><link>https://sguzman.github.io/marginalia/tags/media-studies/</link><description>Recent content in Media-Studies on Marginalia</description><generator>Hugo</generator><language>en-us</language><lastBuildDate>Mon, 04 May 2026 00:00:00 +0000</lastBuildDate><atom:link href="https://sguzman.github.io/marginalia/tags/media-studies/index.xml" rel="self" type="application/rss+xml"/><item><title>Liberal Gothic: An Analytical Report</title><link>https://sguzman.github.io/marginalia/posts/liberal-gothic-an-analytical-report/</link><pubDate>Mon, 13 Apr 2026 00:00:00 +0000</pubDate><guid>https://sguzman.github.io/marginalia/posts/liberal-gothic-an-analytical-report/</guid><description>Executive Summary. “Liberal gothic” is a proposed narrative mode marked by educated, often progressive protagonists who foreground personal trauma and existential malaise in hushed, introspective settings. Unlike classical Gothic…</description></item><item><title>Liberal Gothic: Quick Facts</title><link>https://sguzman.github.io/marginalia/posts/liberal-gothic-quick-facts/</link><pubDate>Mon, 13 Apr 2026 00:00:00 +0000</pubDate><guid>https://sguzman.github.io/marginalia/posts/liberal-gothic-quick-facts/</guid><description>&lt;ul&gt;
&lt;li&gt;Modern Anglophone media increasingly foreground personal pain and suffering (“liberal gothic”), often packaging trauma as consumable content. Critics argue this reflects a commodification of trauma: an industry incentives structure whe…&lt;/li&gt;
&lt;/ul&gt;</description></item><item><title>Distinguishing “Borderer/Right‑coded” vs “Left/Awkward‑Authentic” Internet Memes: A Research Framework</title><link>https://sguzman.github.io/marginalia/posts/distinguishing-borderer-right-coded-vs-left-awkward-authentic-internet-memes-a-research-framewo/</link><pubDate>Wed, 04 Mar 2026 00:00:00 +0000</pubDate><guid>https://sguzman.github.io/marginalia/posts/distinguishing-borderer-right-coded-vs-left-awkward-authentic-internet-memes-a-research-framewo/</guid><description>Distinguishing “BordererRight‑coded” vs “LeftAwkward‑Authentic” Internet Memes A Research Framewo</description></item><item><title>Fake Populism and Neil Young</title><link>https://sguzman.github.io/marginalia/posts/fake-populism-and-neil-young/</link><pubDate>Wed, 04 Mar 2026 00:00:00 +0000</pubDate><guid>https://sguzman.github.io/marginalia/posts/fake-populism-and-neil-young/</guid><description>Neil Young’s career has long been framed around a “common man” authenticity – as a solitary troubadour recording rough-and-ready folk-rock while championing farmers, the working poor and environmental causes. Yet this cultivated persona co…</description></item><item><title>George R.R. Martin Deconstructed</title><link>https://sguzman.github.io/marginalia/posts/grrm-deconstructed/</link><pubDate>Wed, 04 Mar 2026 00:00:00 +0000</pubDate><guid>https://sguzman.github.io/marginalia/posts/grrm-deconstructed/</guid><description>George R.R. Martin’s Westeros and J.R.R. Tolkien’s Middle‑earth both feel vivid, but their “natural worlds” are realized very differently. Martin builds dynamic human conflict on a mostly static backdrop, whereas Tolkien weaves m…</description></item><item><title>Meme Culture and “Borderer-Right” Style: A Research Report</title><link>https://sguzman.github.io/marginalia/posts/meme-culture-and-borderer-right-style-a-research-report/</link><pubDate>Wed, 04 Mar 2026 00:00:00 +0000</pubDate><guid>https://sguzman.github.io/marginalia/posts/meme-culture-and-borderer-right-style-a-research-report/</guid><description>Executive Summary: Internet meme culture is characterized by irreverence, mockery, and transgressive humor – traits that closely align with what we define as a “borderer-right” style (anti‐elite, honor/taunt culture, low deference, per…</description></item></channel></rss>